By Rosemary Overell (auth.)
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Extra resources for Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan
Finally, I interviewed Anita, a draftsperson, who was an active fan of Melbourne grindcore. Despite being only 27, she had a long history in the scene, due to her participation in all-ages events. In Osaka, I began by interviewing a friend of Joel’s, Tanaka Nobuhiro, or ‘Nobu’. Nobu was a sempai – or senior – scene member and the vocalist for Infernal Revulsion. Nobu, who was 27 years old, was unusual in the Osakan scene, because he was half Japanese and half EuropeanAustralian. He was thus bilingual, and worked as translator for a professional Japanese rugby team.
These pubs host a variety of independent music, spanning rock, hip hop and techno. Gigs start at around 9pm and often do not ﬁnish until past midnight. As the gigs are held in pubs, punters (gig-goers) and musicians generally drink excessively during and after a gig. A relatively small cover charge (usually between AU$5 and AU$15) is paid by attendees. This money is divided between the band and the pub manager. The band usually only covers the cost of transport, and perhaps rehearsal venue fees and production expenses.
They are, however, generally provided with a rider of eight to ten free beers. 39 40 Affective Intensities in Extreme Music Scenes DIY punk venues also host grindcore bands. These spaces are often collective warehouses, such as the Pink Palace in Northcote and Irene’s Warehouse in Brunswick. DIY gigs operate more like a private party, where fans bring their own alcohol. Some spaces, usually run by straight-edge punks, run alcohol-free events. DIY events often have a small cover charge which goes towards an activist cause.